Updates!

My first article was published at Feminspire.com  this week and I am thrilled at the feedback it has been getting. If you have a moment to read and comment, please do!

As The Feminist Anthropologist is approaching its one year anniversary, I’ve been making a couple of changes to the site. First, you will see that you can now reach this webpage through the url: http://www.thefeministanthropologist.com. I am very excited about this change! Second, I am looking to increase my number of guest posts. If you would like to be a guest blogger or know someone who might be interested, please email me at thefeministanthropologist(at)gmail(dot)com.

As always, you can like the site on Facebook, follow me on Twitter, and explore The Feminist Anthropologist Tumblr! 

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Advertising and Marketing: Sexism Doesn’t Always Sell

As a feminist and social critic, I often point out how the advertising and marketing spheres are a major source of sexism and misogyny. From sexualization to objectification, advertisers know that sex (and poking at people’s insecurities) sells. Unfortunately, a common reaction to my blogs which point out the sexism and sheer ridiculousness of advertising and marketing is to claim that “It’s their job to sell you stuff!” I want to clear up why I believe that companies should be held responsible for how they market their products and why we as consumers should not accept sexism, sex and body-negativity, or misogyny as the status quo.

Popular consumerism feeds off of the sexism that already exists in society. This is how companies can get away with blatant sexism; unfortunately, many people just don’t notice sexist products or ads because they believe that it is “just the way things are.” JC Penney’s famously kicked up some anger with their t-shirt for young girls that read: “I’m too pretty to do homework so my brother has to do it for me.” More recently, Land’s End committed a major sexist advertising snafu by not only gendering the backpacks in their back-to-school issue, but by imbedding sexist messages in the ad copy itself. While the backpacks geared towards boys were “superhero tough,” the backpack marketed to girls were “tough as long division!”

Sexist ads exist because we live in a sexist society. By feeding off ideologies that already surround us, sexist media also perpetuates sexism and misogyny. Understanding the cyclical nature of harmful advertising is the first step to changing it.

From a feminist perspective this all seems very simple. It is easy to forget that some people make a living writing successful ad campaigns, or that others may accept that sexism sold to them because they don’t know there is another way. Organizations like the Better Business Bureau fight against false advertising for diet and medical products, but have yet to become very active in fighting against the more social harms of sexist business and advertising. I believe that while big change must come from consumers themselves, an awareness of social issues should be mandatory for those in the advertising and marketing fields. Advertising and marketing as a profession must be more self-reflective. It must reconcile a way to market effectively without perpetuating sexism, racism, ableism, heterosexism, sex-negativity, body-negativity, etc. Some say this cannot be done, but there are many successful ads that fight against the status quo and have won companies plenty of positive media coverage. For example, a recent Ray Bans ad featured a gay couple holding hands. JC Penney was targeted by the conservative group One Million Moms for featured gay parents in their advertisements. Rather than give in to OMM’s protest, JC Penney affirmed its commitment to representing diverse families. This is one example of a company doing what they believe to be right, not necessarily what will sell more.

Calling attention to the way that sexism is perpetuated through seemingly harmless television shows, advertisements, magazine spreads, and marketing schemes is a way to disrupt the acceptance of sexism. Organizations like Miss Representation and Spark Summit do a wonderful job at calling companies out on a grander scale. Boycotting a product or writing a letter to the company explaining your disgust is always a good idea. Giving companies who use sexism to sell products lots of negative press is another step you can take. On a very micro-level, I have found that simply pointing something out to those who are around me while watching TV, riding the subway, or listening to the radio is more productive than you might think. Nothing makes me prouder than hearing my younger siblings declare, “That’s so sexist,” while watching television.

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Medicalizing Morality: Virginity Testing in KwaZulu-Natal

           Among the Zulu-speaking people who live outside the city of Durban in South Africa, girls as young as six line up on straw mats to have their sexual purity certified with a grade of ‘A,’ ‘B,’ or ‘C’. A grade of ‘A’ means she is a virgin. A grade of ‘C’ means she is not a virgin. A grade of ‘B’ places her somewhere in-between. This grading occurs systematically at virginity testing events in many Zulu-speaking communities, where the tradition of virginity testing has resurfaced as a localized response to the region’s growing HIV/AIDS epidemic.

            In The History of Sexuality, Michel Foucault argues that sexuality became an increasingly important part of individual identity in Western society, despite the repressive discourse that suggests otherwise. Foucault explored the religious, medical, and psychological institutions in which societies theoretically repressed sexuality while actually bringing these issues into the forefront of Western culture. Foucault’s theoretical framework dealt exclusively with the West, but in the context of an increasingly globalized regime of health, I will use this paper to explore his ideas as applied to the phenomenon of virginity testing in the KwaZulu-Natal province of South Africa.

            KwaZulu-Natal has a thirty-nine percent prevalence of HIV infection, the highest among all the South African provinces. In response to this quickly growing threat to public health, many communities in KwaZulu-Natal have seen a resurgence of traditional virginity testing of young girls. Though this return to tradition began in a grass root, bottom-up fashion, it has garnered the support of government officials and many NGOs concerned with the region’s growing HIV/AIDS epidemic. The practice of virginity testing enforces sexual purity by searching for the physical evidence of the nontangible idea of virginity.  This custom is legitimized within the community and in more expansive institutions through a lens of public health.

            Virginity testing also highlights related fears about the perversion of traditional gender roles. As I will explore in further detail later on, framing the HIV/AIDS epidemic in the context of changing gender roles of youth cultures permits communities to moralize a medical crisis. This allows communities to deal with suffering actively and from within the community, in a context where medical solutions may be either unavailable or ineffective. Within a patriarchal culture, virginity testing simultaneous reinforces and is reinforced by cultural notions of certain bodies as polluters and others as vulnerable to pollution.

Advocates and Opponents of Virginity Testing

            In the KwaZulu-Natal province of South Africa, virginity testing, or ukuhlolwa kwezintombe, is a public event. The virginity of the girls in each community thereby reflects the purity, and health, of the community as a whole. The girls are systematically examined in large numbers without much privacy, reinforcing the idea that women’s sexuality is of public concern. The way in which virginity testing is conducted also enforces the idea of a collective sexuality, whereby the “health” of the community is located in the sexuality of a group of certain kinds of bodies.

            Virginity testing advocates are found among the well-educated government and NGO officials who are dedicated to the idea of an “African Renaissance”.  This idea of cultural revival supports the rediscovery and application of indigenous African systems of knowledge to the problems facing Africa today, most notably, the HIV/AIDS epidemic. (LeClerc-Madlala, 536). Seeing that foreign intervention often does more harm than good, advocates for an African Renaissance encourage localized, community solutions to issues of poverty, disease and education. While the attempt at cultural revival is well founded, it also raises many questions. Specifically, it brings up the conflict between tradition and modernity—a conflict that is pervasive in the discussion on modern virginity testing in KwaZulu-Natal.

            The biggest opponents to virginity testing have been a largely female group of officials from South Africa’s Human Rights and Gender Commissions, who argue that virginity testing constitutes “a new form of violation of and violence against women” (LeClerc-Madlala, 536). Challengers of this tradition argue that familial and community coercion plays a role in the virginity testing events, especially for the youngest girls who may not even realize why their genitals are being examined. Furthermore, opponents argue that virginity testing events go against South African constitutional rights to privacy and bodily integrity. These concerns about social oppression are largely framed by the debates over tradition versus modernity, “whereby culture is equated with tradition and the democratic constitution is equated with Western-style modernity that… espouses foreign ideas” (LeClerc-Madlala, 536).

             The most outspoken supporters of virginity testing are older South African women who are often heads of their household, supporting children or young relatives orphaned by HIV/AIDS. These rural women often “see virginity testing as the only way to reinstill what they view as the lost cultural values of chastity before marriage, modesty, self-respect, and pride” (LeClerc-Madlala, 535). The role of these women in virginity testing is contradictory and intriguing. While their involvement in advocating for and organizing virginity testing events empowers an age-set whose voices are often overlooked in larger society, these women simultaneously enforce a social oppression of the next generation of women. By bringing back the idea of virginity testing, they are allowing a cycle of oppression to continue.

            It may also be noted that these older women have economic reasons to support virginity testing. As previously stated, the most outspoken supporters of virginity testing are women who are in charge of an extended kinship unit due to HIV/AIDS deaths. Their desire to prevent the disease within their own families may be closely tied to the economic hardships they already face. Simultaneously, many of the older women who organize virginity testing events become “experts” in testing and earn a living by teaching women in other communities their profession. Their advocacy of the procedure then reaches beyond morality and tradition and opens up an economic sphere of “medical professional” that is very often closed to rural women. Their involvement has become a way to “empower older women in a society where women’s voices have been historically muted but where women… have always held power and authority over younger women” (LeClerc-Madlala, 547).

            The arguments for and against virginity testing are compelling on both sides. In The History of Sexuality, Foucault writes that “the sex of children and adolescents has become… an important area of contention around which innumerable institutional devices and discursive strategies have been deployed” (Foucault, 30). The choice in KwaZulu-Natal to focus on the sexuality of the community’s youngest women in order to combat a disease that does not discriminate by age or gender reveals specific conceptions about vulnerable bodies within those communities. Virginity testing moves society away from locating identity within individual sexuality and instead establishes a collective compulsory moral and physical purity for specific bodies. This collective purity theoretically ensures the health of the community as a whole, enforcing virginity testing as a localized, gendered response to the enormity of the HIV/AIDS epidemic.

 

Locating Purity in the Body

            The results of the public virginity tests are shared with all who attend the event on an alphabetical grading system. The three tiers of virginity are labeled ‘A,’ ‘B,’ and ‘C’. While a C-grade certifies a failure of the test and an A-grade guarantees a girl’s purity, it is the bridging B-grade that tells us the most about the values that such a system is enforcing. A grade of ‘B’ is given if the testers determine that the girl “may have had intercourse once or twice” or “may have been abused”. Consequently, “active complicity in the sex act” bears weight on whether a ‘B’ or a ‘C’ grade is given. Though the physical requirements for being given a B-grade all imply that vaginal penetration has occurred, the real bearing of virginity seems to be a purity of mentality, ensuring that even if a girl has had sex or been touched inappropriately, it happened in the context of the girl’s own passivity (LeClerc-Madlala, 540).

            Within biomedical frameworks, there is no institutionally agreed upon medical definition for virginity. Therefore, the criterion that certifies “purity” in virginity testing in KwaZulu-Natal reflects the “folk constructs of the body and ethnomedical beliefs of health and illness” of that culture (LeClerc-Madlala, 539). While virginity is often considered a medical and physical state of the body, there are non-biological aspects that are considered in virginity. For example, an important factor in virginity testing in KwaZulu-Natal is that “a girl’s eyes… reflect virginity in that they ‘look innocent’” (LeClerc-Madlala, 540).

            The virginity testing phenomenon in KwaZulu-Natal reflects a collective awareness of the roles of certain kinds of bodies in the HIV/AIDS epidemic. In many areas of South Africa, traditional “notions of pollution are associated with sexually active women and their bodies” (LeClerc, Madlala, 541). This reference of sexual pollution within the body lends itself to an understanding of the HIV/AIDS epidemic as not only inherently sexualized, but also inherently gendered. To inform her own fieldwork, LeClerc-Madlala refers to the research of Ingstad (1990). Ingstad, conducting research on HIV/AIDS in Botswana, found that “informants often used female sexual anatomy as a point of reference when describing women as unclean and as potentially carrying more disease than men” (LeClerc-Madlala, 545).

            Moral conceptions about female sexuality are reflected in how female biology is symbolically conceptualized in certain communities. In Zulu-speaking areas of KwaZulu-Natal, the vagina is seen as a site of potential disease associated with its “’nesting’ qualities: not only do babies grow there, but potentially deadly ‘germs,’ including HIV, may also ‘grow’ and ‘hide’ within them” (LeClerc-Madlala, 542).  Consequently, “dry vaginas are conceptualized as ‘clean’ and disease-free, the imagery reflecting the moral character of its owner” (LeClerc-Madlala, 542). The standards of purity in the virginity testing event reflects these ideas about bodies and pollution.

            The control of female sexuality is also framed by traditional Zulu expectations of femininity. The ideal Zulu woman is “demure, soft-spoken… serves her husband, her children, and her in-laws” (LeClerc-Madlala, 543). Many of the older women in these communities are fighting against the “popular perception of the modern young woman as…assertive and active in pursuing her sexual interests” (LeClerc-Madlala, 543). This behavior is often seen as women attempting to act like men, a set of behaviors that fall outside the boundaries of accepted gender morality. While virginity testing explicitly controls bodies, it simultaneously controls systems of values.

Conclusion

            In South Africa, there is a “pervasive ‘national denial’ of the enormity of the AIDS problem during an era that most people expected to reflect post apartheid promises of ‘the good life’” (LeClerc-Madlala, 534). With this constant threat to the health of its citizens, the communities in KwaZulu-Natal have allowed traditional rituals such as virginity testing to resurface as a way of preventing another generation of ill bodies. However, opponents to the virginity testing events argue that while the tradition claims to be an attempt to fight HIV/AIDS, it is a rather ineffectual way of doing so. If the resurgence of virginity testing truly is a sexualized response to the threat of HIV/AIDS in South Africa, why are boys and men not included in the tradition?

            Virginity testing in Zulu-speaking communities of KwaZulu-Natal represents a medicalization of sexual control and traditional gender roles. Its resurgence, while claiming to be in response to a growing HIV/AIDS epidemic, also coincides with an era in which young women have been liberated on a global scale in terms of their own bodies and sexuality. In response to rapidly changing gender roles, communities have drawn lines of causality between the liberation of female sexuality and the increasing prevalence of HIV/AIDS. Virginity testing reemerged as a way to bridge these simultaneously threatening forces, one that is located in a cultural consciousness, the other located in a world of illness and biology. Virginity testing shapes the meaning of “health” for specific bodies in these communities by labeling sexual purity as healthy and sexual activeness as unhealthy.

            Virginity testing is supported as a way to suppress childhood and adolescent female sexuality. However, as Foucault hypothesized, it actually reveals how important sexuality is to the identity of Zulu-speaking communities in South Africa. Rather than being confined to a private sphere of the home and marriage, female sexuality is, quite literally, laid out and examined in public in order to guarantee the purity and “health” of a community. While post apartheid South Africa is often influenced by Western modernity, the trend of virginity testing reveals that anxieties about female bodies and sexuality continue to influence many community’s responses to modern epidemics such as HIV/AIDS. The contributions of tribal traditions, state modernity, and biomedicine are all revealed in the medicalized morality enforced by virginity testing.

                                                                                           Works Cited

Foucault, Michel. The History of Sexuality. New York: Vintage, 1988. Print.

LeClerc-Madlala, Suzanne. Virginity Testing: Managing Sexuality in a Maturing HIV/AIDS Epidemic. Medical Anthropology Quarterly. 15 (4): 533-552

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Hysteria: A Double Take

Editor’s Note: Sorry for the delays in posting this week. Today I am featuring an awesome guest post by Marissa Zappas. Marissa is currently a student at The New School, majoring in Global Studies (pretty much Anthropology) and minoring in Gender Studies. She is absolutely thrilled to be a guest writer on Brenna’s awesome feminist blog and hopes to post again soon!

I wonder why it is rare in film to see women partaking in rebellious activities, rather than activities that are not rebellious whatsoever, but somehow claim to be. Hysteria, a newly released film directed by Tanya Wexler, examines the invention of the vibrator during Victorian England, and depicts female orgasms as the cure for the contrived illness of “hysteria”. Why is female sexual desire– especially the idea of a woman having an orgasm– still something that feels so taboo?  How is it that a film such as Hysteria can exist based solely on the shame surrounding the idea of a woman as a potentially sexual being, the comedic elements relying on shame-induced laughter? And lastly, why do we continue to tell the offensive and oversimplified story that all an uptight woman needs in order to feel liberated is sex?

Hysteria centers around Mortimer Granville (played by Hugh Dancy), a young and educated British fellow, who wants to innocently dedicate his life to helping others (and also make lots of money).  Granville is portrayed as a progressive/liberal character, because he believes in “modern medicine” and specifically the futuristic idea of germ theory. He favors all things modern and looks down on those he believes to be stuck in the past. The beginning of the film depicts him struggling to find someone who will bless his naïve eagerness and hire him. The only person who will give him a job is Dr. Robert Dalrymple (played by Jonathan Pryce), a “women’s doctor”. Dr. Dalrymple has two daughters, Charlotte (played by Maggie Gyllenhaal) and Emily (played by Felicity Jones).  Charlotte is “feminist” because she is loud and reactive, while Emily is quiet, obedient and clearly missing out the exciting life that Charlotte the feminist leads.  Charlotte punches men in the face when she is angry, and Emily just doesn’t get angry.  Dr. Dalrymple treats hysteria by giving women orgasms via pitching a puppet-show-like tent around their waists. Then, while they’re lying down so they cannot see him, he rubs them off. This is all unbeknownst to the women, who are depicted as having no idea that they are even feeling sexually aroused, and furthermore may not even know that they are capable of these sensations.

A major reason that I wanted to explore this film was because I find it simultaneously troubling and fascinating how we all too often underestimate the psychological strength of medical labeling (for example when words such as “sick” or “crazy” are used to describe a person). Labels like these carry much weight, and can easily encourage the formation of intense, dominant/submissive relationships (between friends, family, doctors and patients, whoever). This film is shocking because it does not portray hysteria accurately, but attempts to make light of it.  It does not depict the pain and suffering that many women experienced during Victorian England. It does not do justice to what hysteria really was—a contrived medical diagnosis that gave men the power to oppress women, to strip them of their rights and to delegitimize the way that women felt. I argue that the film reflects how many of these misogynistic ideas have still managed to linger around. The female characters in the film are not complex individuals, and as a viewer, I wondered how they really felt about what was going on. Obviously, if we cannot acknowledge past suffering we cannot honestly move on.  The diagnosis of hysteria was never humorous, and fully worked to further sexism and the violence against female-identified bodies. Hysteria may aim to lovingly mock the past, but in reality, it winds up inadvertently displaying how little feminist and queer efforts have impacted the major film industry and society at large.  I realize that Hysteria was not meant to be a “serious” film, but the point is precisely that it is grappling with very serious topics. Although it may have intended to be a retrospective, tongue-in-cheek look at the invention of the vibrator, it fails to tell the whole story, which I also realize is generally difficult (if not impossible) to do.  The danger is that the film masks itself as feminist, telling a story pitched to female viewers, intending to give women more power by telling us to just laugh off the past. We absolutely cannot laugh off the past, especially when it comes to issues of inequality.

Hysteria uses similar logic to beauty magazines: a woman must suffer and sacrifice in order to be considered worthy. I would like to seriously question this: should we really always suffer for what we want, or even need? I’m not arguing against the concept of hard work, but I am arguing against the idea that abuse, self or culturally inflicted, is okay if there is a positive outcome. In Hysteria, Charlotte is financially dependant on her father (whom she despises), and in the end she is only satisfied when Granville gives her money so she can pursue her dream. However, in order to get Granville’s money, she had to go through hell. There are plenty of feminists who are not simply reactive—they are thoughtful, brilliant, and yes–often very angry, but for the most part (if they have the financial means to do so) rely on themselves and their support systems for their needs rather than the forces that oppress them. Why is it that there are not more movies made about women starting revolutions, loving each other, and achieving their goals without requiring the approval of men?

In Hysteria, a woman can quite literally only have an orgasm at the hands of a man (until the end when the portable vibrator is invented) and the film completely disregards women who might use their own hands to induce orgasms. Hysteria pities women who are not like Charlotte, who may actually be comfortable in their submissiveness (such as Emily). What about those women who fully embrace their positions of submission and subordination and might even enjoy it?  Are those women considered less worthy of respect? How does this film account for them, besides including a character that is a former female sex worker, and who is often the unfortunate subject of jokes?

The medical diagnosis of hysteria is not taken seriously within the film, and this creates a lack of acknowledgment that distorts the very real, very serious, and very legitimate feelings that women experienced (and still experience!). Consider the trouble that would occur if a comedic film were made depicting the logic of a group of oppressive people? It would not be funny at all! This film fails to show how women really felt (and feel), and furthermore, the ways in which patriarchy is still alive and kicking today, just in a slightly different form.

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Gender, Race, and the Wage Gap: Why Intersectionality Matters

We often talk about the wage gap solely in terms of gender. From the Lilly Ledbetter Fair Pay Act to the argument over whether a wage gap exists at all, we are usually only talking about men vs. women. The wage disparities that many people face, however, have more to do with the intersection of gender and race. White women, the group of people who are most talked about and targeted in the discussions of the wage gap, actually make more money than everybody except white men. Black men make less than white women, and black women make less than black men. Hispanic men make less than black women. Finally, hispanic women are most disadvantaged by the wage gap, making only $0.60 to a white man’s dollar.

Before I continue on with this discussion, I’d like to address some of the confusion that arises when we talk about the wage gap. The wage gap exists and is affected both by race and gender. However, the statistics that are used in order to locate the wage gap vary enormously. Many people argue that choices, not racism or sexism, create the wage gap¹. They argue that men work more hours per week than women and that women tend to enter lower-paying career fields. These arguments have been debunked time and time again². No matter how many outside factors you control for, women make less money than men for doing the same work.

Women are not the only demographic affected  by the wage gap. Race weighs more heavily on wage disparities than gender. But the wage gap is still seen as merely a feminist issue. This is why feminism and other movements for equality need to look at this and many other issues with an intersectional lens. The wage gap affects working women, but it also affects men of color, single-parent families, and poverty levels. Media coverage of the wage gap needs to include these groups that are affected the most, not just focus on white women vs. white men. Feminism does not own the fight against the wage gap. This fight belongs to men and women of color, families in poverty, gay and transgender workers, as well as women everywhere.

For more information on the wage gap and intersectionality, see:

Infographic: The Gender Pay Gap– See What Inequity in Earnings Costs Women and Their Families Each Year and Over Their Lifetimes

Top 10 Facts About The Wage Gap 

Pay Equity and Single Mothers of Color: Eliminating Race-Based and Gender-Based Wage Gap Key to American Prosperity

The Gay and Transgender Wage Gap: Many Workers Receive Less Pay Due to Sexual Orientation and Gender Identity Discrimination

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Victoria’s Secret vs. Dove: Or, how companies appropriate body-positivity to sell you more stuff

The above image has been going around Facebook to the same devastating results as the “When did this…become hotter than this…?” meme. Both images were taken from advertising and marketing campaigns by two large companies, Dove and Victoria’s Secret, who have been appropriating body positivity to continue to profit off of people’s insecurities. While the sale of false body positivity is all I see in these images, Facebook responded positively to Dove’s ad campaign and negatively to Victoria’s Secret’s.

These reactions of “ew, gross, way too skinny” about the VS models are not at all body-positive, and the celebration of Dove’s “Real Beauty” campaign gives them far too much credit.

Dove’s Real Beauty campaign showcases women whose bodies fall on the societally acceptable side of normal. While people love to tell a size 0 VS model to “eat a damn sandwich,” the same people appreciate Dove’s campaign, which only celebrates the size 6, size 8, size 10, maybe size 12 curves of a conventionally attractive woman. Dove’s Real Beauty Campaign is just a marketing front for selling a line of “firming creams” to women with insecurities about “flab” and cellulite. Does Dove’s campaign ad show a few more women of color, a few more “curvy” women, and a little bit less retouching than Victoria’s Secret’s ads do? Yes. But is Dove really the savior of women everywhere whose self-esteem is continuously torn down by our culture and media? Not a chance.

Dove’s Real Beauty Campaign has been around for a few years now and the criticisms of it are widely documented. Now, Victoria’s Secret–the cultural gatekeeper of sexual perfection and unattainable bodies–has weakly used body-positive language to sell bras to women who may worry that their partners prefer watching the VS fashion show to looking at their imperfect bodies. Even though “I Love My Body” is very weakly tied to actual bodies– the bras they are selling as called “Body” bras, so really it’s just “I Love My Bra”– the use of a body-positive statement to sell products is offensive.

Dove, Victoria’s Secret, and those who celebrate these campaigns need to understand that loving your body, appreciating real beauty, and being body-positive is incompatible with buying products to make you do so. These pathetic marketing campaigns continue to profit off our insecurities when the truth is that self-esteem cannot be bought. The same fake endorsements of body-positivity can be seen in Julia Bluhm and Spark Summit’s recent “success” in getting Seventeen Magazine to stop airbrushing models. While Seventeen talks the talk with its diplomacy with Bluhm and its “Body Peace Treaty,” the magazine cannot celebrate real bodies because it makes its business by advertising to girls that they need certain products to be prettier, cooler, sexier, and more desirable.

What is the solution to this? We all need to buy soap or lotion or those special halter-back bras from Victoria’s Secret; companies make a business selling us things. So buy the things you need–but don’t let them convince you that you “need” something to make you sexier, prettier, more confident, or more desirable. Be critical of advertising and don’t fall for the celebration of “body-positive advertising” that is just another front for manipulative marketing. Criticize the sexism, the airbrushing, and the message that you are not good enough. And don’t tell the VS model to eat a sandwich.

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Should we listen to rapists?

In its focus on rape culture, contemporary feminism has encouraged victims of rape or sexual assault to share their stories. These stories aim to reveal that rape does not always have to be violent or predatory, that perpetrators are often people we are familiar with, and that rape occurs more often than we’d like to think. This week, a Reddit user reoriented the discussion of rape culture by posting a thread asking rapists to share their stories. The thread was titled: “Reddit’s had a few threads about sexual assault victims, but are there any redditors from the other side of the story? What were your motivations? Do you regret it?”.

This thread began a slew of comments and commentary that questioned the effects of allowing rapists to anonymously share their stories of committing rape and sexual assault. The thread itself is very disturbing, including comments from people who begin their stories with, “I don’t think this was rape but…”. Many posters expressed feelings of remorse or confusion about what they did wrong. Others explained clear stories of rape or assault surrounded by justifications of why it was okay. There were stories from intentional, serial rapists, and stories from those just now realizing that they may have sexually assaulted someone.

Internet users have had mixed reactions to the thread and its usefulness as a resource for change. Many feel that the anonymity afforded by Reddit is too much of a kindness to self-admitting rapists, and that it is disrespectful to their victims to share the story of their assault for the whole world to see. Others feel that the only use for the thread would be to track down the identities of these users and make sure they are prosecuted for their actions.

The above concerns are valid. Victims should be morally, socially, and legally considered above their attackers. It makes me rather uncomfortable that many of these posters continue to live their lives, walk the streets, and work in our communities after knowing they have committed such a crime. However, Jezebel thinks that there are reasons to listen to rapists, and I agree. Here are the most important things that I learned from Reddit’s stories from rapists:

1. Sexual Education needs to stress consent, consent, consent.

The number of Reddit posters who had created their own definitions of rape, assault, and consent was astounding. The number of commenters who told posters: “That isn’t really rape,” was offensive. All of this vague language regarding sex and consent could easily be solved by early, comprehensive, and sex-positive sexual education. People need to understand that just because someone has not said “no,” does not mean they have given consent. Consent is active, enthusiastic, and positive. Not neutral, not passive, not “not fighting back”.

2. Alcohol and drugs make consent more complicated.

This is not to say, “Don’t ever mix drugs/alcohol with sex,” because that is both unrealistic and pretty much impossible. It is only to say that getting consent while drunk/high is a whole different level– for consent experts only. Many of Reddit’s rapists’ stories included hazy cases of consent where the victim and/or rapist were intoxicated  . For more information about alcohol/drugs and sex, see the below video by YouTuber Laci Green.

3. Speaking up about rape and sexual assault is important– from both sides. 

Rape only happens because somebody decides to rape somebody else. Whether or not that decision is made by someone who is informed about what rape means is up to us. As I stated above, consent must be stressed above all else in our sexual education. Rapists must be held accountable legally, morally, and socially. I will leave you with this comment from Redditor mrrrrrow:

I would just like to post a plea to the people here who have expressed remorse – even if you don’t feel like you can apologise to your victim, you can still do a lot of good. Please speak to the next generation. There are young people and teenagers growing up right now who will make the same mistakes. We have the most appalling attitude towards sex education in general, but boys and girls need to know that ‘stranger rape’ is not the most common form of rape. They need to know that these situations do happen.

Tell the young men1 in your life your story (sanitised as much as seems necessary). Tell them how your situation arose, why you kept going without consent, what it meant to you afterwards, how you’ve come to your position of remorse. Ask them how they would feel if that was their sister, friend, mother, and to remember that every girl2 is someone’s sister, friend, daughter.

If you can, go into schools and colleges and tell your story. Contact self-defence and sexual assault prevention groups for help on outreach.

Although some of the posts in this thread are beyond what I can bring myself to read, I do think that the conversation needs to happen. The only way to truly prevent rape is to teach people not to rape.

1 I acknowledge that not all rapists are men, but they overwhelmingly are. And obviously not all men are rapists.

2 Ditto not all victims are women

 

 

 

 

Author’s Note: I apologize for the lack of updates; I have taken the past week to get acclimated to my new position as a Social Media/Publicity Intern for an awesome website called A Mighty Girl. If you follow A Mighty Girl’s Twitter, Tumblr, and Pinterest, you’ll be seeing lots of my behind-the-scenes work!

 

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Don’t be Feminist Phil

 

 

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On Microaggression

 

One of the more common dismissals of feminism that I hear (apart from “women already have rights” and “what about the men?!”) is: “You’re just looking for something to be angry about“. The idea that those who engage in cultural criticism, feminist or otherwise, are nit-picky, obsessive, and need to “calm down” is just another way to silence opinions that society deems too radical.

Those who believe we live in a post-feminist world typically don’t have a good grasp on the meaning of the many facets of feminism (although we can’t blame them for that, as feminism is barely included in public school curriculums beyond the first wave to begin with.) Liberal feminism, most closely associated with the movement’s first wave, worked to level the playing field in terms of legal rights, education, and general access to opportunity. Liberal feminism assumes that once women have equal access and opportunity to all aspects of society that men do, liberation will naturally occur.

So, what happened? Women got the right to vote, the right to hold jobs without discrimination based on sex, and the ability to attend any school or university. That didn’t solve everything. Women still underperformed in STEM fields, were underrepresented in the political sphere, and underrepresented in the publishing world. Despite women’s successes, magazines still told them how to be sexy enough for the office, how to snag a husband, and how to lose weight fast (because their bodies were never good enough). Women and young girls were hypersexualized in the media, suffered from poor self-esteem and body image, and began to locate their worth in their appearances.

These issues may seem “smaller” than the right to vote, but they continue to be cultural roadblocks in our fight against sexism.  These issues of identity, misogyny, and body-negativity pervade every aspect of society until we can no longer see them. One of the jobs that I assign myself as a feminist is to be the eyes that see our microaggressions.

Here is a definition of racial microaggressions that can explain the definition of microaggression in a broader context, such as gender.¹ 

“Racial microaggressions are brief and commonplace daily verbal, behavioral, or environmental indignities, whether intentional or unintentional, that communicate hostile, derogatory, or negative racial slights and insults towards people of color. Those who inflict racial microaggressions are often unaware that they have done anything to harm another person.”

Microaggressions are most often discussed in terms of race, but they can involve any aspect of identity, from sexuality to gender to ethnicity. Microaggressions against feminists, against feminism, and against women in general seep through modern society, in television shows, in clothing, and in insults like “cunt,” “bitch,” “slut,” and “whore”. Rape jokes, “get back to the kitchen” jokes, and advertisements that seems to be stuck in the 1950s don’t help either.

Microaggressions work to silence discussion and prevent change in the way we talk about identity. This article from Shakesville explains how microaggressions are often used against feminism:

“… the idea that addressing “the little things,” like being told to smile or misogynistic t-shirts, somehow demeans feminism or distracts from “real” or “serious” sexism is utterly, completely, devilishly wrong.”

Now that you know what a microaggression is, call out the perpetrators. Politely let people know that while they may think something they said was harmless, humorous, or good-natured, you or someone else may find it offensive and harmful.

I also urge you to check out The Microaggresions Project, where people submit stories about the microaggressions they experience in their daily lives.

 

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WTF is a Kyriarchy?

If you are familiar with feminism or other movements for justice and equality, you’ve probably been hearing a lot about intersectionality. Intersectionality is an idea in feminist discourse that highlights how forms of oppression do not operate independently of each other. Structures of power and privilege relating to race, gender, sexuality, age, class, and ethnicity all interact in different ways. By being aware of intersectionality in feminist discourse, feminists attempt to create a more inclusive movement for equality.

A more obscure vocabulary word for feminist discourse is kyriarchy. Kyriarchy is a word that is very closely related to intersectionality because it highlights privilege and power relations beyond our traditional dichotomies of oppression, i.e: men over women, white people over people of color. Here is a great definition of kyriarchy in contrast with the traditional “patriarchy”:

Kyriarchy - a neologism coined by Elisabeth Schussler Fiorenza and derived from the Greek words for “lord” or “master” (kyrios) and “to rule or dominate” (archein) which seeks to redefine the analytic category of patriarchy in terms of multiplicative intersecting structures of domination…Kyriarchy is best theorized as a complex pyramidal system of intersecting multiplicative social structures of superordination and subordination, of ruling and oppression. 
 
Patriarchy - Literally means the rule of the father and is generally understood within feminist discourses in a dualistic sense as asserting the domination of all men over all women in equal terms.  The theoretical adequacy of patriarchy has been challenged because, for instance, black men to not have control over white wo/men and some women (slave/mistresses) have power over subaltern women and men (slaves). 
 - Glossary, Wisdom Ways, Orbis Books   New York  2001
Kyriarchy explains why historically oppressed people can also become oppressors in the shifting social contexts of our increasingly intersectional world. Our understanding of social relationships within the kyriarchy does not place the blame for all oppression on rich, white, Christian, cisgender, heterosexual males, but rather holds everyone accountable for contributing to systems of domination and oppression in society. Kyriarchy is complicated because it forces us to confront our own role in the Master/Slave dichotomies that we create and does not define a single innocent victim. It implicates everyone in systems of oppression rather than just blaming the patriarchy, which is why it is the tool that the feminist movement needs to use more often.
As more people are abandoning hope in feminism and creating movements like Men’s Rights, humanism, egalitariansm, and masculinism to stake claims for their own issues of oppression, feminism needs to embrace and promote understandings of oppression through a kyriarchal, rather than patriarchal, lens. The feminist movement has just begun to realize that it will sink very soon without intersectionality. It now needs to spread this knowledge of oppression through intersectionality and kyriarchy in order to work effectively with all victims and perpetrators of oppression.

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